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The Irishman 3.0 stars

Movie poster

Synopsis

During his fight against the Nazis, Frank Sheeran (Robert De Niro) forced a pair of enemy soldiers to dig a hole that, in the few seconds it took to fire off a few rounds, became their eternal resting place. Little did the soldier know at the time, but this “follow orders and you’re rewarded” mentality was preparing him for a career in the mob. Speaking of following orders, Scorsese hops in bed with Netflix for a return to the genre that has brought him the most amount of box office success. It’s great to see the old guard together again, with Scorsese newcomer Al Pacino noisily stealing the show as Jimmy Hoffa. When he goes, much of the energy gets buried with him. The tale of the teamster who wacked the hand that fed him is never boring, but at this stage in his career, one expected something more than a small screen gangster epic from the man who redefined the genre. He knew all along that the majority of viewers would come to the film on television, so he shot accordingly. A betting man would wager that well over half the picture was composed in TV-safe closeups and reverse angle shots of well-paid actors talking, the impact of which would not be lost on a flatscreen. I liked it better when Scorsese, not the medium, dictated shot size.

Scott Marks

Length: 3 hours, 29 minutes

Rated: R

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Comments

Well it took you long enough to review it, but STOP with the bashing! Like I said in the other review, no one else was interested in his project at the time. So what do you expect him to do??? Answer me this, do you NOT see theatrically released films produced by Amazon??? I don't see you boycotting them. This is Scorsese's magnum opus about eastcoast crime and corruption. NOthing we haven't seen before, but it is very well executed. Pesci is subtle yet menacing. Bobby D is excellent. AP overplays, but oh well, nothing is perfect. Mexican cinematographer Rodrigo Prieto is back again behind the camera for Scorsese. Great period-catching.

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