There is some nice social comedy — something that writer Samson Raphaelson, leading man Cary Grant, and even director Hitchcock are habitually quite good at — having to do with a spoiled rich boy's reaction to sudden economic constraint ("Get a job?"). On the suspense side, though, Hitchcock indulges in some unprincipled hinting, shamming, and thumb-screwing to get you to believe that Cary Grant would plot the murder of his simpering bride, Joan Fontaine. (1941) — Duncan Shepherd
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